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It was amazing and wonderful, and I think we blew my friend J & A's friend (I called A & made her come down to talk to these guys too) C's mind since we talked about stuff like, oh, the Hour House back in the day with the phone booth made of a shower, and the All Mighty Senators (I was their first manager. Yes. Yes I was and you can even see my name and a long long defunct phone number on the back of their first album. Which I probably own the only copy of.) and their giant puppets and Mitchell Valiant covered with ashes playing the accordion (that came from the farm commune where I lived) and Landis being just Landis, and Ron Compton's tattoo of a stomach filled with beer, and tEntaTively a cOnvenience and Vermin Supreme and the party at Brent's out in Aberdeen during the 17 year cicadas when everyone was eating them deepfried and raw (the party of this color photo, in fact,) and my old boyfriend Jack Snope and his cockroach farm. And the powwow and Danny Van Allen and Spoon and more, and more and more, moving into true crime stories, without which no Baltimore gathering is complete, and promises to have a crab feast here in Asheville this summer.
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Lately people seem to be remembering me as an artist and recalling to me the days when I thought I was an artist too and it's kind of guilt inducing. Cousins I haven't seen for years at the memorial service asked me how my painting was going, MICA people talking about installations - it reminds me that I did used to be an artist, really. Really. It's possible that that was even the defining thing about me and the important stuff in my life and probably letting it all go to hell - and beer, do't forget beer - except for Christmas cards and mosaics and weird craft-y stuff like that was a big mistake. Not that I was a great artist, I was mostly just kind of a weird artist, but I was an artist of sorts and I am beginning to miss that. I think just possibly it's time to take out the paints again.
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